Having been exposed to music and sound equipment from a very young age, at the age of 13 in 1988, my father, along with other producers, recorded my sister and me in our first musical production in Buenos Aires, Argentina. The experience of stepping into a studio and recording marked my initial encounters with professional sound and video equipment.

Achieved a lifelong dream of becoming a pilot by completing aviation training and receiving a private pilot license for airplanes in Chile.

Produced my first documentary for television, titled “High Flight,” using linear editing machines in Betacam format.

Created the first commercial video using digital format.

Founded my first audiovisual production company, producing a high-budget video for a prominent port company in Chile. Collaborated with renowned brands.

Assumed the role of Executive Producer for the first National Evangelical Television channel in Chile (TNE). Designed the channel’s structure from scratch, leading it to 24/7 continuous broadcasting with original content.

Directed TV production for events like the first Christian Song Festival (2009) featuring Jaci Velazquez and “Mesías Bicentenario” in front of the presidential palace in Chile.

In 2010, Chile experienced one of the ten largest earthquakes globally, leading to widespread devastation caused by the subsequent tsunami along its coasts. In response, the entire network of evangelical Christian congregations across the country united to organize a large-scale event aimed at offering prayers for the nation and raising assistance for the victims.

In collaboration with TNE, my role was to produce the inaugural nationwide live broadcast of a Christian event, employing intricate transmission technologies, multiple cameras, and mobile devices. Over a span of 18 hours, this endeavor of unity reached thousands of households across the nation, bringing together hearts in a time of profound challenge.

After my tenure at TNE, I rejoined my audiovisual company. During this period, I orchestrated corporate events for renowned enterprises and crafted audiovisual content for notable brands, including Kodak and the global business conglomerate ISA. This scope of work encompassed radio spots, composition of radio jingles, IVR phone call productions, TV spots, website creation, and various other projects.

Pioneered a 360-degree video recording system, leading to the birth of “INMERSIVO” after experimenting with prototypes.

Secured funding for development and innovation of a 360-degree 3D camera system with surround sound.

Produced and edited the first live 360-degree video of a FIFA Copa América final with 360 VR technology.

Recorded and edited the first Latin American 360-degree 3D video uploaded to YouTube.

Orchestrated the first live 360-degree transmission of a FIFA World Cup qualification Soocer match.

Broadcasted in 360 VR technology, all South American national football team matches for World Cup qualification for a major mobile telecommunications company in Chile.

Executed the world’s first 360-degree live transmission of “The Voice.”

Recognized as one of Chile’s top 5 most innovative companies by the Inter-American Development Bank (IDB). Invited to the JAPAN, Latin America, and the Caribbean business event in Tokyo. 

Conducted Latin America’s first live event broadcast to Facebook 360, covering “Sensation 2017.”

Captured and produced 360-degree content for Festigame and Comicom for international company Movistar.

Second trip to New York for Entel, capturing 360-degree content. Performed an open-door winter helicopter flight.

We achieved a groundbreaking feat by capturing the first Viña Festival using 360-degree live-streaming technology. The Viña del Mar Festival stands as the pinnacle of musical events in Hispanic America, having hosted an array of music legends, including iconic artists like The Police in 1982, Yusuf Cat Stevens in 2015, Duran Duran in 2000, Elton John in 2013, Faith No More in 1991, and the list goes on. My immersive company revolutionized this competition by introducing it to cutting-edge VR 360 technology for the very first time.

During this period, in collaboration with my company IMMERSIVO VR, we embarked on a journey of creation, crafting numerous projects for renowned brands like NIKE, UBER, MOVISTAR, and more. Our endeavors infused innovation into the very core of these brands’ content, transforming it into an exceptional marketing powerhouse. In certain instances, our efforts magnified the technological perception of these companies among their customers and the wider audience, amplifying their value in the eyes of the masses.

Relocated to the United States.

Produced numerous videos in the US for American clients, including The Salvation Army and other institutions.

Served as camera operator and TV director for various churches and companies.

Created and producing the television series “Flying Museum.”